10/26/05 - Part III
Here's the third (of 4, or 5) unpublished blog posts, written prior to actually having a blog to post to...
(June 4, 2005)
Here’s this week’s playlist:
01 Negativland – “Escape From Noise”
02 Messer Chups - “Learning To Control Myself”
03 DJ BMC – “Country inferno”
04 Mr Dibbs – “Judeas Transmission”
05 Big Apple Productions – “Genius At Work”
06 DJ Shadow – “Would You Buy A War From This Man”
07 John Schnall –“Everything's Falling Down”
08 Kid Koala – “Stompin' At Le Savoi”
09 Jeff Sconce – “Joy Sinatra”
10 Lecture On Nothing – “It Means Nothing To You”
11 Myeck Waters - “Another Bible story adventure”
12 Unknown – “Closer to da club (50 inch nails)”
13 Negativland – “Happy Hero: The Remedia Megamix”
Ironic that I mentioned Negativland in my last post, and then this week played two tracks by them, making specific comments about having not given them the attention they deserve, as I actually produced this episode last week, at the same time as last week’s episode, and in one of my breaks acknowledged the fact that I hadn’t really played an awful lot of tracks by Negativland in the first two years of syndication. What I didn’t mention was why…
Although of course I’m a fan of their work, I specifically remember making a conscious decision to focus the show on a broad range of appropriation-based artists, and to give as much exposure as possible to artists who hadn’t made as large a name for themselves. Negativland, I figured, didn’t need the exposure so much, and so of course I’d play them but not as much as other artists. This was an issue, I felt, especially in the beginning, because the library was so small back then, by comparison. I remember I had built this wooden box with hinges and a clasp, and would haul it to and from the studio every week (I was the production director at Radio K at the time, so I didn’t have to haul it far – my office was just down the hallway - but it was pretty heavy). Since about 25% of the library were Negativland CDs, I was concerned that I’d rely on those CDs too often, so I made an effort to limit how much I played them.
Anyway - I’ve made similar decisions about other CDs. For instance, I try not to play more than two mashup artists a week – I don’t want the program to turn into a bastard pop show. I intend for SAR to stay focused broadly on the art of appropriation, across all genres. Anyway – I mentioned that I’d be going back over my playlists and determining what and who I’d been playing, trying to even things out a bit, now that the library has more than doubled. I’m excited about this third year. I think the mix should really be evening out. Turntable creations will mean more musique concret AND hip hop artists, tape manipulations/digital deconstructions will be an even broader spectrum of experimental, cut-ups and even pop music (including mashups, which I hadn’t even heard of when the show first started). Overall, I’m looking forward to a strong third year. There are some exciting interviews coming up as well. Lots of work to do.
Yawn. Its actually 2:30 in the morning. I just finished watching the Empire Strikes Back. Saw the new Star Wars film a few days ago and have been revisiting some of the other movies since then. I waited tables at my restaurant job along Lake Calhoun after the show today, and am exhausted. So I’m going to make this one a bit shorter and hit the sack. My cat is chasing a small furry ball around the room. I’ll take a picture of that for today’s image, then hide his toy (so he doesn’t keep me awake all night with it!) and go to sleep.
Pretty exciting, huh?
Thanks for listening,
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