January 30, 2010
Four of the artists in this week's focus on Minnesota based artists (Episode 26, with special guest, Chris Strouth) have previously responded to the SAR Q&A. You can read over 150 of these online artist features at the Some Assembly Required website HERE. Check out these four to start...
SAR Q&A with Escape Mechanism
SAR Q&A with Orchid Spangiafora
SAR Q&A with Splatt
SAR Q&A with Think Tank
Thanks for listening!
Jon Nelson
www.some-assembly-required.net
Saturday, January 30, 2010
Episode 26, Some Assembly Required
(2002's Minnesota theme, with Chris Strouth)
01 Splatt - “The Usual”
02 Sarah Jane Smith - “Did not come back”
03 DJ Abilities - “Well being”
04 John Richey - “11 Studies in noise and dialectic (segment)”
05 Ts & Filmore Diggz - “Sex and violins”
06 Escape Mechanism - “Culture”
07 Dada Legion - “The New #2”
08 King Paisley and the Psycho-del-ics - "(Untitled)"
09 Mindphaseone - “Ticki ticki”
10 Orchid Spangiafora - “Trapped heir suite (Part one)”
11 Think Tank - “A Knife & a fork”
Use this address, for your pod software:
http://feeds.feedburner.com/some-assembly-required/JSpD
Sunday, January 24, 2010
11th Anniversary
50/50
Our tenth anniversary was one year ago Wednesday (1/27), and as the call for submissions for the 50/50 Compilation was made to commemorate that event last year, it seems like this might be the best time to make an announcement about the upcoming release!
If all goes according to plan, we'll be releasing a limited edition CD within the next month or two, and I have to say it's definitely been worth the wait. Large segments of this fifty track compilation have been stuck in my head for quite a few weeks now, and that's not something I've always been able to say - not even about some of my very favorite sound collages...
We'll have the full details, including artwork and a list of contributing artists in the next week or so. Until then...
Thanks for 11 great years!
Jon Nelson
www.some-assembly-required.net
Our tenth anniversary was one year ago Wednesday (1/27), and as the call for submissions for the 50/50 Compilation was made to commemorate that event last year, it seems like this might be the best time to make an announcement about the upcoming release!
If all goes according to plan, we'll be releasing a limited edition CD within the next month or two, and I have to say it's definitely been worth the wait. Large segments of this fifty track compilation have been stuck in my head for quite a few weeks now, and that's not something I've always been able to say - not even about some of my very favorite sound collages...
We'll have the full details, including artwork and a list of contributing artists in the next week or so. Until then...
Thanks for 11 great years!
Jon Nelson
www.some-assembly-required.net
Saturday, January 23, 2010
January 23, 2010
January 23, 2010
Eight of the artists in this week's program (Episode 248) have previously responded to the SAR Q&A. You can read over 150 of these online artist features at the Some Assembly Required website HERE. Check out these eight to start...
SAR Q&A with The Bran Flakes
SAR Q&A with Go Home Productions
SAR Q&A with The Kleptones
SAR Q&A with Lecture On Nothing
SAR Q&A with Osymyso
SAR Q&A with Stock, Hausen & Walkman
SAR Q&A with DJ T-Rock
SAR Q&A with Twink
Thanks for listening,
Jon Nelson
www.some-assembly-required.net
Eight of the artists in this week's program (Episode 248) have previously responded to the SAR Q&A. You can read over 150 of these online artist features at the Some Assembly Required website HERE. Check out these eight to start...
SAR Q&A with The Bran Flakes
SAR Q&A with Go Home Productions
SAR Q&A with The Kleptones
SAR Q&A with Lecture On Nothing
SAR Q&A with Osymyso
SAR Q&A with Stock, Hausen & Walkman
SAR Q&A with DJ T-Rock
SAR Q&A with Twink
Thanks for listening,
Jon Nelson
www.some-assembly-required.net
Episode 248, Some Assembly Required
01 The Found Sound Orchestra – “Little La La”
02 Stock, Hausen & Walkman – “Vinyl retentive”
03 The Bran Flakes – “Feelings”
04 The Kleptones – “1800 War Of Confusion”
05 Pop Will Eat Itself – “There Is No Love Between Us Anymore”
06 Twink – “Hammer”
07 Phil Milstein – “Louie”
08 The Kleptones – “Bo”
09 DJ T-Rock – “Out of Control”
10 Osymyso – “The Return Of An Old Friend”
11 Contemporary Casuals – “This Is All Wrong”
12 Lecture On Nothing – “It Means Nothing To You”
13 Go Home Productions – “Work It Out With A Foxy Lady”
14 Emergency Broadcast Network – “Electronic Behavior Control System”
15 DJ Shadow – “Mutual Slump”
Use this address, for your pod software:
http://feeds.feedburner.com/some-assembly-required/JSpD
Wednesday, January 20, 2010
Two to check out...
Two to check out...
It's been a good month for those of us interested in the history of appropriation in sound collage and music. There are at least two new programs worth checking out...
First of all, Jon Leidecker's series on the history of sampling in music and audio art ("Variations") has recently progressed to chapter four, as of about a week or two ago. I've really been enjoying this extremely insightful and in-depth look into the world of sound collage. The first three installments of "Variations" covered everything from the very early 1900s all the way through to the 1970s, and episode four picks up from there, moving into more and more familiar territory, as it continues.
There are at least three more episodes planned for the series as well, making this one of the most detailed histories of the genre/movement, to date. I've been collecting and researching this kind of music for well over a decade myself, and its remarkable how much more I've learned, in the past few months, just by listening to the first four episodes of this series. It's definitely worth checking out. You can check out episodes 1-4 of "Variations" HERE, and stay tuned in the coming months for new installments, as well...
I've also just learned that the new documentary, "Copyright Criminals" will be airing on Public Television at various times this month. The program, which also offers a history of sampling, especially focused on the genre of hip hop, had its broadcast premier on PBS yesterday (January 19), with additional airings and rebroadcasts to come, throughout the next week or so, at least. Check out the Copyright Criminals website for more information... I'm hoping to catch it here in Minnesota, this week!
Thanks for listening,
Jon Nelson
www.some-assembly-required.net
It's been a good month for those of us interested in the history of appropriation in sound collage and music. There are at least two new programs worth checking out...
First of all, Jon Leidecker's series on the history of sampling in music and audio art ("Variations") has recently progressed to chapter four, as of about a week or two ago. I've really been enjoying this extremely insightful and in-depth look into the world of sound collage. The first three installments of "Variations" covered everything from the very early 1900s all the way through to the 1970s, and episode four picks up from there, moving into more and more familiar territory, as it continues.
There are at least three more episodes planned for the series as well, making this one of the most detailed histories of the genre/movement, to date. I've been collecting and researching this kind of music for well over a decade myself, and its remarkable how much more I've learned, in the past few months, just by listening to the first four episodes of this series. It's definitely worth checking out. You can check out episodes 1-4 of "Variations" HERE, and stay tuned in the coming months for new installments, as well...
I've also just learned that the new documentary, "Copyright Criminals" will be airing on Public Television at various times this month. The program, which also offers a history of sampling, especially focused on the genre of hip hop, had its broadcast premier on PBS yesterday (January 19), with additional airings and rebroadcasts to come, throughout the next week or so, at least. Check out the Copyright Criminals website for more information... I'm hoping to catch it here in Minnesota, this week!
Thanks for listening,
Jon Nelson
www.some-assembly-required.net
Saturday, January 16, 2010
January 16, 2010
January 16, 2010
Our 11th Anniversary is fast approaching, and with it will come some big news, so be sure to tune in next week...
THIS WEEK seemed like as good a time as any to upload 2003's special anniversary episode, celebrating our... 4th Anniversary? Yes, for some reason there was some attention being paid to this seemingly un-noteworthy anniversary (check out the 2003 Arts feature in the Minneapolis Star Tribune HERE). My guess is that perhaps we just weren't sure we'd make it to the much more interesting 5th Birthday, the very next year...
I honestly don't remember the reasoning at the time, but nevertheless, here it is, the amazing 4th Anniversary Special episode of Some Assembly Required (episode 44)... as it aired about seven years ago, next week...
Thanks for listening!
Jon Nelson
www.some-assembly-required.net
Our 11th Anniversary is fast approaching, and with it will come some big news, so be sure to tune in next week...
THIS WEEK seemed like as good a time as any to upload 2003's special anniversary episode, celebrating our... 4th Anniversary? Yes, for some reason there was some attention being paid to this seemingly un-noteworthy anniversary (check out the 2003 Arts feature in the Minneapolis Star Tribune HERE). My guess is that perhaps we just weren't sure we'd make it to the much more interesting 5th Birthday, the very next year...
I honestly don't remember the reasoning at the time, but nevertheless, here it is, the amazing 4th Anniversary Special episode of Some Assembly Required (episode 44)... as it aired about seven years ago, next week...
Thanks for listening!
Jon Nelson
www.some-assembly-required.net
Episode 44, Some Assembly Required
(2003's 4th Anniversary Episode)
01 The Button - “Intro”
02 The Button - “The Subconscious mind”
03 Steinski - “The Motorcade sped on”
04 Evolution Control Committee - “I Don’t care”
05 The Tape-beatles - “Reality of matter”
06 Steev Hise - “Stuck together, falling apart”
07 Splatt - “I was standing in my kitchen”
08 Cast of Thousands with Escape Mechanism - "Untitled (recorded live, 11/99)"
09 Martian Gin Honky - “Death in his own mind”
10 People Like Us/Wobbly/Matmos - “Dolly Pardon”
11 Laso Halo - “These high-frequency signals are then beamed out...”
12 Silica-Gel - “Pssst”
13 Monster - "(unknown)"
14 DJ Shadow - “Midnight in a perfect world”
Use this address, for your pod software:
http://feeds.feedburner.com/some-assembly-required/JSpD
Saturday, January 09, 2010
E-603
E-603
Ethan Ward has been making music for over 8 years, beginning in his pre-teens, and producing his own blend of mashup/glitch pop, as E-603, since about 2003. He lists turntablists A-Trak and Diplo as influences, along with Beck and, of course, Girl Talk, among many others.
While studying at Hampshire College, in Massachusets, he performed a lot at different schools around the area, and has played shows with artists such as The Hood Internet, Passion Pit and Yo La Tengo. There are currently two releases available, 2008's "Something For Everyone" and "Torn Up", which was released in 2009.
Without further ado, here's the SAR Q&A with E-603...
*Name: E-603
*Are there any additional names used to describe this project: No, E-603 is perfect. Pronounced (EE-Six-Oh-Three)
*Members: Only one, myself, Ethan Ward.
*Founding Members: Ethan Ward
*Tape manipulations, digital deconstructions or turntable creations: Digital Deconstructions for sure. I work entirely in a digital format. I feel like what I do is deconstruct popular audio and then reconstruct some new art out of it.
*Another genre descriptor: Not at all. I don't think what I am doing is in any way plundering (re: John Oswald’s “Plunderphonics”). Or at least no more plundering than what the average computer-savvy high school student does on a Thursday night. So with that in mind I don't really think I need to think of a clever name.
*Is there a story behind your name? Well, I was in a pinch one night in 2003 and I needed to think of something cryptic yet meaningful. So with about 28 seconds of thought I came up with E-603. The E stands for my first name Ethan. 603 is the area code for the entire state of New Hampshire so therefor the "603" stands in "E-603" as an expression of "Live Free or Die".
*Location: I am from Nashua, New Hampshire. The idea of E-603 currently resides there and in Boston, Massachusetts as well.
*Original Location: Nashua, New Hampshire
*What is your creative/artistic background: I have always been making music. I began recording and producing my music when I was 12 years old. I have been educated in classical and experimental music composition. I don't really have a background in one specific place, I have kind of been all over the place, and I will most likely continue to be.
*History: E-603 as an idea began in 2003, however no music was released until about 2005.
*Born: I was born June 14th, 1989.
*Motivations: Making rad sounds motivates me.
*Philosophy: I love creating a cross cultural musical format. There is very little types of music that actually take separate types of music and force them to work together rather than only taking the inspiration from different types of music. That, to me, is a very beautiful thing. I love manipulating the sounds to work just the way I want them to.
*How would you like to be remembered: As the reincarnation of GG Allin.
*Web address:
For my website: E-603.com
For my most recent album: www.tornup.net/TORNUP
www.some-assembly-required.net
Ethan Ward has been making music for over 8 years, beginning in his pre-teens, and producing his own blend of mashup/glitch pop, as E-603, since about 2003. He lists turntablists A-Trak and Diplo as influences, along with Beck and, of course, Girl Talk, among many others.
While studying at Hampshire College, in Massachusets, he performed a lot at different schools around the area, and has played shows with artists such as The Hood Internet, Passion Pit and Yo La Tengo. There are currently two releases available, 2008's "Something For Everyone" and "Torn Up", which was released in 2009.
Without further ado, here's the SAR Q&A with E-603...
*Name: E-603
*Are there any additional names used to describe this project: No, E-603 is perfect. Pronounced (EE-Six-Oh-Three)
*Members: Only one, myself, Ethan Ward.
*Founding Members: Ethan Ward
*Tape manipulations, digital deconstructions or turntable creations: Digital Deconstructions for sure. I work entirely in a digital format. I feel like what I do is deconstruct popular audio and then reconstruct some new art out of it.
*Another genre descriptor: Not at all. I don't think what I am doing is in any way plundering (re: John Oswald’s “Plunderphonics”). Or at least no more plundering than what the average computer-savvy high school student does on a Thursday night. So with that in mind I don't really think I need to think of a clever name.
*Is there a story behind your name? Well, I was in a pinch one night in 2003 and I needed to think of something cryptic yet meaningful. So with about 28 seconds of thought I came up with E-603. The E stands for my first name Ethan. 603 is the area code for the entire state of New Hampshire so therefor the "603" stands in "E-603" as an expression of "Live Free or Die".
*Location: I am from Nashua, New Hampshire. The idea of E-603 currently resides there and in Boston, Massachusetts as well.
*Original Location: Nashua, New Hampshire
*What is your creative/artistic background: I have always been making music. I began recording and producing my music when I was 12 years old. I have been educated in classical and experimental music composition. I don't really have a background in one specific place, I have kind of been all over the place, and I will most likely continue to be.
*History: E-603 as an idea began in 2003, however no music was released until about 2005.
*Born: I was born June 14th, 1989.
*Motivations: Making rad sounds motivates me.
*Philosophy: I love creating a cross cultural musical format. There is very little types of music that actually take separate types of music and force them to work together rather than only taking the inspiration from different types of music. That, to me, is a very beautiful thing. I love manipulating the sounds to work just the way I want them to.
*How would you like to be remembered: As the reincarnation of GG Allin.
*Web address:
For my website: E-603.com
For my most recent album: www.tornup.net/TORNUP
www.some-assembly-required.net
Episode 247, Some Assembly Required
01 Mad Mix Mustang – “I Got More Than A Feeling (Long Version)”
02 J.O. Mallander – “In Reality”
03 Mixmaster Mike – “Jack Knyfe”
04 Gel-Sol – “Gel-Sol's Adventures Beyond the Plunderworld (segment)"
06 Jimmi Jammes – “War Cowboys”
05 Gel-Sol – “Gel-Sol's Adventures Beyond the Plunderworld (segment)"
07 DJ Earworm – “United State of Pop 2008 (Viva La Pop)”
08 Wobbly – “Made Happy”
09 Jeffrey Sconce – “Brandenburg Meth Swan”
10 Richard Trythall – “Ommagio A Jerry Lee Lewis”
11 E-603 - “Push 'Em Up”
Use this address, for your pod software:
http://feeds.feedburner.com/some-assembly-required/JSpD
Sunday, January 03, 2010
SAR Q&A: 2006-2009
The following 150+ SAR Q&A's represent the artist features uploaded from 2006-2009, in alphabetical order...
Thanks for listening!
Jon Nelson
A plus D
Aggro1
Jim Allenspach
Ruth Anderson
The Angel
Animals Within Animals
Antediluvian Rocking Horse
B’O’K
Barbed
DJ BC
Beatrix*JAR
The Beige Channel
Big City Orchestra
Ros Bobos
The Bran Flakes
Wayne Butane
Buttfinger
The Button
Cagey House
DJ Cal
Greg Carr
Cassetteboy
Cast of Thousands
The Coherent Encoherence
Colatron
Coldcut
Copycat
Corporal Blossom
Daniel Steven Crafts
the Cranial Fishers
Brian Joseph Davis
Eddie Def
Thomas Dimuzio
Steve Dirkx
Divide and Kreate
The Droplift Project
Dsico
DJ Earlybird
DJ Earworm
Ellipse Elkshow
Escape Mechanism
The Evolution Control Committee
DJ EZG
Omer Fast
Steve Fisk
John Fleetham
DJ Food
Jason Forrest (Donna Summer)
Fortyone
DJ Foundation
Joe Frawley
The Freelance Hellraiser
Jason Freeman
Frenchbloke
Freddy Fresh
Futuro
Gel-Sol
Girl Talk
Glockenspiel
Go Home Productions
Dickie Goodman
Grateful For The Dead
Greater Than One
Alex H
Steev Hise
I Cut People
IDC
Idiom Creak
Jabberwocky
Don Joyce
Junkshop Coyote
Douglas Kahn
Hugo Keesing
Kid Koala
The Kleptones
Laso Halo
Lecture on Nothing
Lenlow
Listen With Sarah
DJ Lobsterdust
Tim Maloney (Naked Rabbit)
Christian Marclay
DJ Marvel
Mr. Meridies
Matt Mikas
David Morneau
National Cynical Network
Negativland
DJ Nikoless
Wes Nisker
notv
Nubile G and the Spurious Whiz
Owen O'toole
Oh Astro
Orchid Spangiafora
Bob Ostertag
Osymyso
Party Ben
People Like Us
Phatbastard
Ergo Phizmiz
Public Works
DJ Qbert
DJ Quest
Rachmiel
The Real Tuesday Weld (The Clerkenwell Kid)
Realistic
The Reborn Identity
RIAA
DJ Riko
Tom Roe
Ruckus Roboticus
RX Music
Kelly Patrick Ryan
Alyce Santoro
Savage Ohms
Sawako
Janek Schaefer
John Schnall
Jeffrey Sconce
Secret Mommy
Silica-Gel
Social Security
Soundhog
Spacklequeen
Sparo
Speaker Freaker
Ed Special
Natasha Spencer
Splatt
The Square Root Of Evil
Stark Effect
Steinski
Stock, Hausen & Walkman
Carl Stone
Philip Strong
Stunt Rock
Surface Noise
Rob Swift
DJ T-Rock
The Tape-beatles
team9
James Tenney
Think Tank
Thousand Void Crush
Jan Turkenburg
Twink
Ursula 1000
V/Vm
Aaron Valdez
Value Village People
Voicedude
Wake Up And Listen
Myeck Waters
Wax Audio
Wax Tailor
David Weir
The Who Boys
Wobbly
Wolfram
DJ Zebra
Want more?
Find a list of all the (30+) radio interviews we've done with SAR artists over the years, ALL of which are available to listen to online, at the SAR Interview Page...
Check it out HERE.
www.some-assembly-required.net
Thanks for listening!
Jon Nelson
A plus D
Aggro1
Jim Allenspach
Ruth Anderson
The Angel
Animals Within Animals
Antediluvian Rocking Horse
B’O’K
Barbed
DJ BC
Beatrix*JAR
The Beige Channel
Big City Orchestra
Ros Bobos
The Bran Flakes
Wayne Butane
Buttfinger
The Button
Cagey House
DJ Cal
Greg Carr
Cassetteboy
Cast of Thousands
The Coherent Encoherence
Colatron
Coldcut
Copycat
Corporal Blossom
Daniel Steven Crafts
the Cranial Fishers
Brian Joseph Davis
Eddie Def
Thomas Dimuzio
Steve Dirkx
Divide and Kreate
The Droplift Project
Dsico
DJ Earlybird
DJ Earworm
Ellipse Elkshow
Escape Mechanism
The Evolution Control Committee
DJ EZG
Omer Fast
Steve Fisk
John Fleetham
DJ Food
Jason Forrest (Donna Summer)
Fortyone
DJ Foundation
Joe Frawley
The Freelance Hellraiser
Jason Freeman
Frenchbloke
Freddy Fresh
Futuro
Gel-Sol
Girl Talk
Glockenspiel
Go Home Productions
Dickie Goodman
Grateful For The Dead
Greater Than One
Alex H
Steev Hise
I Cut People
IDC
Idiom Creak
Jabberwocky
Don Joyce
Junkshop Coyote
Douglas Kahn
Hugo Keesing
Kid Koala
The Kleptones
Laso Halo
Lecture on Nothing
Lenlow
Listen With Sarah
DJ Lobsterdust
Tim Maloney (Naked Rabbit)
Christian Marclay
DJ Marvel
Mr. Meridies
Matt Mikas
David Morneau
National Cynical Network
Negativland
DJ Nikoless
Wes Nisker
notv
Nubile G and the Spurious Whiz
Owen O'toole
Oh Astro
Orchid Spangiafora
Bob Ostertag
Osymyso
Party Ben
People Like Us
Phatbastard
Ergo Phizmiz
Public Works
DJ Qbert
DJ Quest
Rachmiel
The Real Tuesday Weld (The Clerkenwell Kid)
Realistic
The Reborn Identity
RIAA
DJ Riko
Tom Roe
Ruckus Roboticus
RX Music
Kelly Patrick Ryan
Alyce Santoro
Savage Ohms
Sawako
Janek Schaefer
John Schnall
Jeffrey Sconce
Secret Mommy
Silica-Gel
Social Security
Soundhog
Spacklequeen
Sparo
Speaker Freaker
Ed Special
Natasha Spencer
Splatt
The Square Root Of Evil
Stark Effect
Steinski
Stock, Hausen & Walkman
Carl Stone
Philip Strong
Stunt Rock
Surface Noise
Rob Swift
DJ T-Rock
The Tape-beatles
team9
James Tenney
Think Tank
Thousand Void Crush
Jan Turkenburg
Twink
Ursula 1000
V/Vm
Aaron Valdez
Value Village People
Voicedude
Wake Up And Listen
Myeck Waters
Wax Audio
Wax Tailor
David Weir
The Who Boys
Wobbly
Wolfram
DJ Zebra
Want more?
Find a list of all the (30+) radio interviews we've done with SAR artists over the years, ALL of which are available to listen to online, at the SAR Interview Page...
Check it out HERE.
www.some-assembly-required.net
Subscribe to:
Posts (Atom)