
Without further ado, here's the SAR Q&A with Stark Effect...
*Name: Stark Effect
*Members: Stark Effect is just me, David Dixon.
*Tape manipulations, digital deconstructions or turntable creations: Everything I do could be done by anyone with a PC, the appropriate software, and a keyboard acting as a MIDI controller. And an idea.
*Is there a story behind your name? Since I'm a physicist by training, I figured I should have a physics-oriented band name. I briefly considered calling myself the "Bersenheig Unprinciply Certaintle,” but thought it too abstruse. I settled on "Stark Effect" because it actually describes a physical phenomenon, namely the shift of electronic energy levels of an atom under the influence of a static electric field (named for Johannes Stark), but also because "stark" can be interpreted as "harsh" or "blunt.”
*Location: Los Osos, CA
*Original Location: I was born and raised in southeastern Wisconsin, near Milwaukee.
*What is your creative/artistic background: I wrote my first song when I was 6, on an air-driven organ that had special keys for playing chords. Early songs had titles like "Mellow-Dee.” Dr. Demento's show had a huge influence on me, to the extent that my first username on BBS's (bulletin board systems, for you young'uns) was "Mr. Parody.” I wrote "In The Gravy" to the tune of The Village People's "In The Navy."
*History: I listened to a lot of "new age" music (Vangelis, Jarre, etc.) during my formative teens, and had a series of Casiotone keyboards that got a lot of attention. My first formal lessons came in college, when it was already too late. During my first year of grad school, I recorded a tape of my own instrumentals (played on a Kawai K-4, which I still have), and shopped it around to various new age labels. I still have the rejection letters, somewhere.
*Born: April 7, 1970
*Motivations: What motivates me is that I want people to have an emotional connection to what I do. When you make a mix tape for a friend, you choose the tracks that convey beauty, or longing, or sadness, or jubilance, or surrealistic "what-the-f***?" I choose samples the same way. My primary influences are twofold: Steve Reich and Negativland. Steve Reich's "Different Trains,” using samples of Holocaust survivors as musical instruments, totally rocked half of my world when I first heard it in the early 90's. Negativland's collages rocked the other half. I bought a sampler and did some rudimentary explorations (which can be heard on my website, under "juvenalia"). These artists opened me up to using human speech as a musical element, which is what the Stark Effect tracks are all about. The "mic in track" songs, recorded between 2001 and 2004, are the best things I've ever done. I haven't been artistically active for a couple of years, because I feel like I've taken the "mic in track" idea as far as it needs to go. I have no immediate plans to make new music.
*Philosophy: The mathematician Carl Gauss had this as his motto: "Few, but ripe."
*How would you like to be remembered: I'd like to be remembered as someone who'd be memorable.
*Web address: All of my music can be downloaded for free at:
http://stark-effect.com
www.some-assembly-required.net
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